Saturday, February 23, 2008

Tuesday Musical Concert Series: Gabriela Montero

Tuesday Musical Concert Series
Gabriela Montero, piano
Joslyn Art Museum
Witherspoon Concert Hall
Februrary 26th, 2008 7:10p.m.

More concert events for you local readers and classical lovers. If you haven't heard of the Tuesday Musical Concert Series go check them out. Originally established in 1892 as a morning music club, their first concerts was held in local homes around Omaha and in the historic Fontennelle Hotel Ballroom. Eventually, it expanded out into local theaters and it has become a non-profit concert series of international artists open to all.

This month, the concert series features, Gabriela Montero.
"Born in Caracas, Venezuela, Gabriela Montero has been performing since age 5. Improvisational skill is a huge part of the talented classical musician that she has become. After performing a concert or recital, she often improvises audience requests for an encore, "I connect with my audience in a unique way," Montero says, "and they connect with me." Montero has pursued her career mainly in Europe, where she has been championed by pianist Martha Agerich. Montero offers exciting playing from start to finish. You will want to be there for her Omaha performance."

Thursday, February 21, 2008

Bad Business Practice: "Trusting" Your Violin Out

If you ever read up my profile, I described the violin business as "cloak and dagger" or Byzantine in nature. This recent news article from the Ottawa Citizen is a good illustration of why the business gets the reputation it does for such bad practice.

Although the events of the article occurred a couple months back, the piece centers around Ottawan Peter Dawson. Fidder and violinmaker of 46 years, Dawson had established a seemingly good business relationship with a Ottawa-born musician and "buyer-seller" Joseph Hokai Tang. The last that Mr. Dawson saw of him was when he let him out the door to sell some Hill and Son bows and a couple of 19th-century French instruments. He went missing since with a loot to boot worth around $25,000. (click here for the full article).

Fast forward to November of 2007 (click here for the full article), Mr. Tang gets done playing from a concert in San Francisco and is arrested by the U.S. Dept of Justice. Dealers besides Mr. Dawson that had done transactions with Mr. Tang filed complaints to the postal service and soon lead a two and half year investigation lead by the USPS. The US DOJ lawyers allege that Mr. Tang intentionally misrepresented the condition and quality of instruments he sold and failed to pay for instruments he acquired from other dealers. You can read the DOJ press release here which details details 10 alleged offences -- two counts of wire fraud and eight counts of mail fraud -- related to the sale and consignment of fine violas, violins and bows that took place between April 1, 2002 and Dec. 31, 2006.

Now, let's keep this on a legal basis and also assume that the journalists got their facts right. Lot of circumstantial and anecdotal evidence that were gathered in the news pieces which points towards a crime but these are still allegations. This blog topic isn't about proving Mr. Tang's guilt- let the courts decide that.

Instead let's focus on the how and the why. After reading those articles, I kept scratching my head thinking how could they (the dealers) have let this happen? I couldn't believe that some of these dealers were so blindly trusting they didn't even bother checking up sooner on the sales status of their instrument after a few years went by. Why didn't the dealer take the customer's credit card information in case he ran off with the violin? Couldn't they have some sort of system of collateral in place?

Any business transaction involves a level of "trust" between two parties. The series of events that lead to the indictment of Mr. Tang shows that the violin industry is a highly unregulated business system that is steeped in this tradition "trust".

Now, believe it or not, I happen to think this old world tradition of "trust" that I hear so often in the industry is good. It establishes loyal business relationships which becomes more personal and meaningful. The dealer helps you access and guides you through the vast market of instruments out there. However, don't you think that this kind of relationship can be strengthened if it has an aspect of protection and security? Let's not forget, I'm also suggesting this applies to both parties.

This is why one of the things we strive to do at the shop is have transactions and policies in writing. Customers should ask for the details of their approval period, instrument maker's certificates, and copies of invoices or rental agreements. Consignors should approach the shop with a good idea of the terms in mind, negotiate, and if consigned should seek an official signed consignment letter. We also encourage other shops to their part as well. Whether it be backed up computerized invoices, signed rental agreements, or written purchase and trade-in policies, the more transparent your policies become, the better that level of trust is protected.

As for why dealers and customers don't adopt more of these kind of policies, I'm not too sure. Each side may keep their agendas hidden for exploitive purposes. Dealers may simply lack the knowledge or resources of the business and legal areas. Whatever is the case, make sure that the kind of trust that's established in this business goes above and beyond to protect you the client and you the dealer.

Links to the news articles:

Wednesday, February 20, 2008

An Arcos Visit and Nitrating Violin Bows

The other day we had Brian, the sales rep from Arcos Brasil come by. Good timing since we needed a few extra cakes of those carved rosin boxes with refills and some good solid bows. These bows are solid commercial bows being from Brazil. It's tough being a bow maker when Les has to compete against top notch guys down South.
Les got a chance to show some of his bows and Brian them. He said he'll put in a good word for him. Afterwards, he got to work on his latest violin bow outside with his bottle of Nitric Acid.
Colorless when pure, older samples of Nitric Acid tend to acquire a yellow cast due to the accumulation of oxides of nitrogen.
The solution that Les has is 70% which isn't considered fuming but toxic enough to sting your skin and burn your eyes. Hence the need for air to disperse outside and work done with goggles and gloves.
A swab of the Nitric Acid is dipped in and rubbed up and down, all along the stick. the Acid helps bring out the dark red pernambucco color.

Tuesday, February 19, 2008

Frog Blanks, Chinrests, Pegs: The Endless Organization of Parts

We're still recovering from unpacking all the little mini-boxes of parts from India. They're all out and accounted for but where to put them?

First up was the box full of ebony materials. The big chunk of ebony block I'm holding is used to make the frog of a double bass bow. With this much wood, you could probably divide it up and make two to four good violin bow frog blanks.

The blocks of ebony are hanging out on racks with the saddle and nuts for the various other instruments.
Our wall board of chinrests that we used to hang has now moved over to another shelf. We took some more white fold up cardboard bins and stuffed them full. The bins are now stacked upon another in one of Alex's old towering storage shelf.
As for the pegs, we had to buy some drawers for the violin and viola pegs.
Back to relabeling again.
Mad props of course to Matt Nicholson, our new official part timer, for helping us get this grunt work done. I'll have to do a profile on him for the blog.

Sunday, February 17, 2008

Heifer International Benefit Concert

Heifer International Benefit Concert
@St. Paul United Methodist Church
5410 Corby St., Omaha NE
Friday, February 22, 2008 7 p.m. - 8:30 p.m.


"Save the world with great music, one donation at a time. Join Luke Witchger and some of the most talented young musicians in the state for a benefit concert on February 22. Admission is free -- any free-will donations will be sent to Heifer International and to support a St. Paul United Methodist Church mission trip to a Heifer village.

Heifer International is non-profit organization dedicated to ending world hunger and poverty through "passing on the gift." Families in need are given animals and taught how to care for and start a trade with the animal. Offspring of the animals are then given to others in need, helping to end hunger and poverty and also create community.

Come enjoy an evening of wonderful music, while helping to end world hunger!"
Come to A Benefit Concert with Luke Witchger, Hannah Mayer, Grace Lyden, Olivia Krueger, Erik Thorstensen and friends for Heifer International.

 

Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.